Our kids have been visiting for the holidays but it is almost time for them to return to home and jobs and university. I’ve been enjoying sketching partly for the reminder after they are gone and partly because there is something wonderful about really observing them now that they are grown up.
Of the many challenging and inspiring Sketchbook Skool lessons and instructors, Lapin’s Big Heads in SBS Stretching really struck a chord with me. Just by suggesting that we begin a portrait with the eyes, he helped me to capture the faces of the people I love. I admit the sitting very close and staring intently part probably limits this technique to people who know me pretty well, and my likenesses improve if the subjects will actually hold still (I’m talking about you, Husband and Son).
Coincidentally, I discovered that I – like Lapin – enjoy using paper with a grid pattern. I love it for writing and notetaking, but never drew on it until my father gave me one of his old only partly used Pentalic Traveller’s journals with gridded paper this past summer. I loved the way the pattern added some depth to my drawings but once it was full, I went back to using plain paper sketchbooks. However, one of my New Year’s Resolutions (don’t judge, I still love making resolutions and I figure that at least for a few months I’ll be doing the good things I always dreamed of!) is to use up the loads of stuff I already have – including my, oh, TWENTY SIX (!!!) new or partly used notebooks. I am currently using an old Moleskine 5×8 journal with gridded paper and I am totally hooked on the interplay of grid and drawing. And in a further coincidence, Lapin and I also share the dilemma of how to find more of our now discontinued notebooks; this one is so nice to use because it predates the big Moleskine Paper Switch.
If you haven’t happened to come across Lapin’s work yet, you can find him on Instagram @lapinbarcelona or check out his blog at les-calepins-de-lapin.blogspot.com